|
 |
UnicorNation
Description
UnicorNation: Forum about
digital performer and motu products
unofficial website.
digital performer and motu products
unofficial website.
Category
Keywords
Date
Jan 28, 2005
Contact name
Email
Link ID
530
Write a Review
Add to My Favorite
Refer it to Friend
Report Broken Link
Other links at Forums, Resources, Communities
1. Making Music
Making Music:
Formerly known as The National Federation of Music Societies, they provide artistic information, training and support services to amateur and semiprofessional musicians.
Formerly known as The National Federation of Music Societies, they provide artistic information, training and support services to amateur and semiprofessional musicians.
Category:
Welcome to the American Sound Archives.
These unissued recordings were produced by the Edison Company between the years of 1914-1929. The repertoire includes Vaudeville Sketches, Popular Vocal Songs of the era, Opera/Classical, Jazz, Dance Bands of the 1920's, speeches by popular orators and political figures, and the voice of Mr. Edison himself!
Approximately 90% of these ten-inch records were made prior to the introduction of electrical recording methods. Edison records were nearly 1/4 inch thick, with the recording surface being bonded to an inner wooden "core" which made them more durable than the other phonograph records issued at that time. These discs were also cut in a special way utilizing a highly polished diamond stylus, so that only an Edison Phonograph could successfully reproduce the recording the way it was intended to sound. These records, now commonly referred to as "Edison Diamond Discs" are prized by collectors for their remarkable clarity and tone ...
Working to archive, preserve, and restore early sound recordings from the Studios of the Thomas A. Edison Company.
These unissued recordings were produced by the Edison Company between the years of 1914-1929. The repertoire includes Vaudeville Sketches, Popular Vocal Songs of the era, Opera/Classical, Jazz, Dance Bands of the 1920's, speeches by popular orators and political figures, and the voice of Mr. Edison himself!
Approximately 90% of these ten-inch records were made prior to the introduction of electrical recording methods. Edison records were nearly 1/4 inch thick, with the recording surface being bonded to an inner wooden "core" which made them more durable than the other phonograph records issued at that time. These discs were also cut in a special way utilizing a highly polished diamond stylus, so that only an Edison Phonograph could successfully reproduce the recording the way it was intended to sound. These records, now commonly referred to as "Edison Diamond Discs" are prized by collectors for their remarkable clarity and tone ...
Working to archive, preserve, and restore early sound recordings from the Studios of the Thomas A. Edison Company.
Category:
Welcome to the Audio DAC page.
The information presented on this web-site reflects 5 years of work with 4 persons, who tried to create good digital sound.
dac diy tube valve jitter conversion cd digital audio pcb vcxo pll low jitter phase noise fase ruis reclocking reclocker reclock herklokken 11.2896 11, 2896
emc pcm63 5842 8412 E88CC 6N1p Marc Heijligers
Guido Tent Jos van Eijndhoven Korneel Wijnands Theo van Heumen
The information presented on this web-site reflects 5 years of work with 4 persons, who tried to create good digital sound.
dac diy tube valve jitter conversion cd digital audio pcb vcxo pll low jitter phase noise fase ruis reclocking reclocker reclock herklokken 11.2896 11, 2896
emc pcm63 5842 8412 E88CC 6N1p Marc Heijligers
Guido Tent Jos van Eijndhoven Korneel Wijnands Theo van Heumen
Category:
5. LiveAxis
LiveAxis:
Live events of all kinds are taking place across the globe, and very few of them are captured for posterity. To date, financial and logistical constraints have been the primary reasons for this unfortunate reality. Now it is possible to cost-effectively capture audio and video from any location in the world, from one centralized Network Operations Studio, and produce the content for distribution to consumers via traditional and new media outlets. Music, sports, education and medicine are just a few of the many markets to which this new breed of technology can be applied.
Click here for a more detailed overview of LiveAXIS technology.
The Livewire Media company has created a proprietary platform, called LiveAXIS, which enables remote recording, production and conferencing of multi-media content from any location in the world, at a fraction of the cost of traditional live recording methods. With LiveAXIS, large quantities of broadcast-quality multi-media content can be recorded, produced, archived and distributed more easily and efficiently than ever before. LiveAXIS can be applied to a variety of business sectors. The technology is currently operational in the music industry and in the area of distance learning.
How It Works:
LiveAXIS can turn any location into a recording studio that does not require any on-site recording engineers. The control room for such a "virtual" studio may be located hundreds or thousands of miles away, as all content is gathered over private data networks. LiveAXIS enables engineers on one side of the world to remotely record and broadcast an event taking place on the other in real time, with pristine sound quality and multiple camera angles that would customarily only be possible with on-site technical personnel and mobile recording equipment.
The Hardware:
The hardware component of this remote multi-media capture technology consists of a "black box," which can be installed in venues or event spaces of any kind. This "black box" feeds audio and video tracks to engineers at a Network Operations Studio ("NOS") via a private high-speed data network.
LiveAXIS has no impact on sound reinforcement in a venue or event space, and is likewise unaffected by the "house sound". All microphone feeds are discreetly pulled directly from the stage area through LiveAXIS, and engineers have full control, on a channel-by-channel basis, of an audio mix that is created in real time, miles away at the NOS. Individual microphone feeds are also recorded separately, as multi-tracks, allowing for full post-production, just as in a traditional recording studio. The result is pristine, CD-quality sound, readily available for live and syndicated broadcast and/or production and distribution ...
Live events of all kinds are taking place across the globe, and very few of them are captured for posterity. To date, financial and logistical constraints have been the primary reasons for this unfortunate reality. Now it is possible to cost-effectively capture audio and video from any location in the world, from one centralized Network Operations Studio, and produce the content for distribution to consumers via traditional and new media outlets. Music, sports, education and medicine are just a few of the many markets to which this new breed of technology can be applied.
Click here for a more detailed overview of LiveAXIS technology.
The Livewire Media company has created a proprietary platform, called LiveAXIS, which enables remote recording, production and conferencing of multi-media content from any location in the world, at a fraction of the cost of traditional live recording methods. With LiveAXIS, large quantities of broadcast-quality multi-media content can be recorded, produced, archived and distributed more easily and efficiently than ever before. LiveAXIS can be applied to a variety of business sectors. The technology is currently operational in the music industry and in the area of distance learning.
How It Works:
LiveAXIS can turn any location into a recording studio that does not require any on-site recording engineers. The control room for such a "virtual" studio may be located hundreds or thousands of miles away, as all content is gathered over private data networks. LiveAXIS enables engineers on one side of the world to remotely record and broadcast an event taking place on the other in real time, with pristine sound quality and multiple camera angles that would customarily only be possible with on-site technical personnel and mobile recording equipment.
The Hardware:
The hardware component of this remote multi-media capture technology consists of a "black box," which can be installed in venues or event spaces of any kind. This "black box" feeds audio and video tracks to engineers at a Network Operations Studio ("NOS") via a private high-speed data network.
LiveAXIS has no impact on sound reinforcement in a venue or event space, and is likewise unaffected by the "house sound". All microphone feeds are discreetly pulled directly from the stage area through LiveAXIS, and engineers have full control, on a channel-by-channel basis, of an audio mix that is created in real time, miles away at the NOS. Individual microphone feeds are also recorded separately, as multi-tracks, allowing for full post-production, just as in a traditional recording studio. The result is pristine, CD-quality sound, readily available for live and syndicated broadcast and/or production and distribution ...
Category:
Main Category
11
2005
555
335
215
6
791
59
2257
363
411
190
140
211
22
2321
74
120
3
178
36
145
105
36
14
26
1038
159
234
98
273
9
1068
151
245
144
312
255
348
15
78
214
128
70
414
536
2604
91
Top 10
Statistics
Links: 17467
Categories: 1112
Unique Outgoing Hits: 4634787
Pagerank Statistics
