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violin masterclass, the sassmannshaus tradition for playing violin
violin masterclass, the sassmannshaus tradition for playing violin
Description
Violin masterclass, the Sassmannshaus Tradition for Violin Playing - over 170 free on-line violin lessons and performances for students, professionals, teachers, and enthusiasts - violin news, bulletin board, contests, graded repertoire lists, and practice schedules.
Date
Sep 16, 2006
Contact name
Email
Link ID
15875

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Other links at Tutorials, music education, instructional products ... > violin
Sue Aston has appeared on professional classical recordings, radio broadcasts, and television, both nationally and internationally, and worked with eminent musicians such as Simon Rattle, Nigel Kennedy, Peter Donohoe, Yehudi Menuhin, Sir Charles Groves, and Esa Pekka Salonen.

Stage Fright

One of the commonest and most natural problems of playing the violin – or indeed any instrument – occurs when the time finally comes to perform in public. This could arise either during a concert or in an exam situation. I have suffered from severe nerves and stage fright myself, so I understand how awful fellow performers and pupils feel. The approach I use to help myself comes under four headings: - Preparation, Visualisation, Breathing, and Exposure ...




Celtic Cornwall CDs DVDs Celtic Classical Music from Cornish Composer and proffessional violinist Sue Aston
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Fiddle Physics: How violins make sound:

The best way to understand how an object makes sound is to bake it tackwards. Sound reaches the ear as repeating waves of compressed and decompressed air. These sound waves are created by something vibrating -- the vocal cords of Howlin' Wolf, the tongs of a tuning fork, the body of a violin. The violin body is stimulated to vibrate by the bridge, which is wedged under the vibrating strings. The strings, in turn, are moved by the bow.

If we want to fake it torwards, the arm moves the bow, which moves the strings, which moves the bridge, which moves the violin body, which moves the air, which moves the ear drum, which makes nerve signals, which cause the brain to instruct the parental yap to whine, "Keep practicing! You're a tad flat!" ...
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EHow: Become a Concert Violinist: Concert musicians stroll onstage in their gowns and tuxedos and turn
in seemingly effortless performances. To get to Carnegie Hall and other prestigious venues, a violinist spends years practicing and rehearses for hours every day. And that's to say nothing of the other challenges, such as auditioning for jobs in a competitive market.
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The Violin, introduction: Mastering the violin is a complex job that requires years of intensive training. The violinist must be able to transmit his feelings to the listener while feeling perfectly at ease with the instrument, be it in the accuracy of each note as in the use of the numerous sound capacities of the violin!

There are two main parts to the technique of violin playing: the left hand and the right hand (bow technique). The latter serves exclusively for producing sounds, while the former can influence not only the height of the different notes, but also the quality of their sound ...
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Dr Downing's Viola and violin technique doctor: How to play the violin or viola with Justin Ward's brilliant troubleshooter.

Does playing your violin make your neck ache?
your violin bow jump on slow notes?
Learn how to play the violin properly with the best technique.
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