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visaton loudspeakers and accessories
Description
With 30 years of experience in the field of acoustics and loudspeaker technology and a future oriented engagement in research and development, plus the high quality standard of our production, we are nowadays a specialised and world wide successfully operating German loudspeaker manufacturer.
With our solid know-how and our high-tech laboratories, equipped with the latest measurement equipment for acoustical research and development, we are able to solve any problem in the field of electro acoustics in the most competent and reliable way. Apart from the VISATON high-tech labs also VISATON's anechoic chamber, with its dimensions of 7x7x7 meters one of the largest in the international loudspeaker scene, plays an important role.
The spectrum of applications for VISATON speakers is very wide and ranges from the fields of Home HiFi and Car HiFi to special fields such as space-craft technology, medical electronic equipment and computer systems. Practical examples for applications in the computer industry are Multi-Media-Systems, Home-Cinema speakers and Point of sale-systems.
Also for the development of exclusive high-end systems, top class VISATON loudspeakers are being used more and more often. In order to be always up-to-date with the latest results of research and development, VISATON is actively participating in the continuous exchange of the latest innovative R+D results as a sustaining member of the Audio Engineering Society, New York (AES). Due to a very close contact to leading universities, a permanent technology transfer takes place, enabling us to adapt the latest R+D results for our practical product developments.
VISATON,Lautsprecher,loudspeaker,HiFi,ELA,PA,Selbstbau,DIY,Beschallung,Akustik,sound reinforcement,Heimkino,home cinema,High End,Lautsprecherhersteller,loudspeaker manufacturer,Industrielautsprecher,industrial speaker,Deckenlautsprecher,ceiling speaker.
With our solid know-how and our high-tech laboratories, equipped with the latest measurement equipment for acoustical research and development, we are able to solve any problem in the field of electro acoustics in the most competent and reliable way. Apart from the VISATON high-tech labs also VISATON's anechoic chamber, with its dimensions of 7x7x7 meters one of the largest in the international loudspeaker scene, plays an important role.
The spectrum of applications for VISATON speakers is very wide and ranges from the fields of Home HiFi and Car HiFi to special fields such as space-craft technology, medical electronic equipment and computer systems. Practical examples for applications in the computer industry are Multi-Media-Systems, Home-Cinema speakers and Point of sale-systems.
Also for the development of exclusive high-end systems, top class VISATON loudspeakers are being used more and more often. In order to be always up-to-date with the latest results of research and development, VISATON is actively participating in the continuous exchange of the latest innovative R+D results as a sustaining member of the Audio Engineering Society, New York (AES). Due to a very close contact to leading universities, a permanent technology transfer takes place, enabling us to adapt the latest R+D results for our practical product developments.
VISATON,Lautsprecher,loudspeaker,HiFi,ELA,PA,Selbstbau,DIY,Beschallung,Akustik,sound reinforcement,Heimkino,home cinema,High End,Lautsprecherhersteller,loudspeaker manufacturer,Industrielautsprecher,industrial speaker,Deckenlautsprecher,ceiling speaker.
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Date
Aug 30, 2005
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Link ID
9830
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1. audio f
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3. Soundfield
Soundfield: In 1933, British scientist Alan Blumlein was issued a patent that stands today as a landmark in the development of stereophonic recording and reproduction. Among its numerous declarations, it defined the basis for all coincident microphone techniques, including the Mid/Side and crossed bidirectional configurations. (The latter, in fact, is commonly referred to as a “Blumlein Stereo” pair.) In the 1970s, British mathematicians Michael Gerzon, Peter Craven and colleagues expanded upon the stereo concepts pioneered by Blumlein to develop the concept of a microphone system that could reproduce a full three-dimensional soundfield. Both Blumlein and Gerzon realised that only when a soundwave is captured at a single point in space can it be reproduced faithfully and without the phase distortion anomalies inherent in spaced microphone techniques ...
Today, the SoundField range enjoys a reputation as the ultimate microphones for recording both stereophonic and the new developing multichannel surround formats. These unique microphones employ a patented tetrahedral array of closely spaced and time compensated subcardioid capsules to capture the complete three-dimensional soundfield at a single point in space. This single point source pick-up principle avoids all of the time - or phase-related anomalies generated by spaced microphone arrays. Thus, surround recordings made with SoundField microphones can be collapsed to stereo - or stereo recordings to mono - without the phase problems that result in “comb-filtering” (phase cancellation) distortions. Furthermore, a single point source system is the only one that allows a truly phase coherent sub-channel to be derived. Spaced microphone arrays are unable to be reduced without introducing significant phase errors unless some of the microphone signals are discarded, which consequently results in loss of essential audio information.
Today, the SoundField range enjoys a reputation as the ultimate microphones for recording both stereophonic and the new developing multichannel surround formats. These unique microphones employ a patented tetrahedral array of closely spaced and time compensated subcardioid capsules to capture the complete three-dimensional soundfield at a single point in space. This single point source pick-up principle avoids all of the time - or phase-related anomalies generated by spaced microphone arrays. Thus, surround recordings made with SoundField microphones can be collapsed to stereo - or stereo recordings to mono - without the phase problems that result in “comb-filtering” (phase cancellation) distortions. Furthermore, a single point source system is the only one that allows a truly phase coherent sub-channel to be derived. Spaced microphone arrays are unable to be reduced without introducing significant phase errors unless some of the microphone signals are discarded, which consequently results in loss of essential audio information.
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In the post-war period, business life in Germany was largely concerned with rebuilding the devastated economy and securing a living for employer and employee alike. In June of 1948, Schalltechnik was founded by Dr.-Ing. Karl Schoeps (born in 1906). His first employee was Dr.-Ing. Wilhelm Küsters (born in 1910). Both were graduates in Communications Engineering at the University of Karlsruhe. The company logo, which dates from that era, symbolizes the shared interest that brought both men together: sound waves (the "Schall" of "Schalltechnik") superimposed on the big "T" for "Technik" (technology). The similarity of this logo to that of a pre-existing company called Tungsram made it necessary to modify it at the end of the 1950's into today's form with the bevelled upper corners of the "T." ...
Schoeps, Mikrofone, Mikrofon, Mikrophon, Mikrophone, Kondensatormikrofon, Kondensatormikrophon, Tischmikrofon, Tischmikrophon, Studiomikrofon, Studiomikrophon, Schwanenhals, Gesangsmikrofon, Gesangsmikrophon, Stereomikrofon, Stereomikrophon, Surroundmikrofon, Surroundmikrophon, Druckempfänger, Druckgradientenempfänger, Kugel, Niere, Superniere, ORTF-Mikrofon, pressure transducer, pressure-gradient transducer, omni, cardioid, supercardioid, stereo microhone, surround microphone, table microphone, gooseneck, studio micropohone, vocal microphone, condenser microphone, condenser microphones, headset, headsets, ORTF microphone
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