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Welcome to Roger Nichols Digital: Plug-ins that matter
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Description
Welcome to Roger Nichols Digital: Plug-ins that matter: Having worked with some of the world's most successful artists over nearly four decades in the record business, and picking up seven Grammy Awards in the process, Roger Nichols knows of what he speaks. Roger Nichols Digital was formed in 2005 to make his proven hands-on experience available to all DAW users in the form plug-ins.

Roger Nichols has been designing DSP software for his personal use since 1981. These powerful devices have been used to great effect on countless albums and mastering projects with such artists as Steely Dan, Al DiMeola and Bela Fleck. "It is now time to make these plug-ins available to the ever-expanding universe of DAW-based mixing and mastering," Nichols said. "RND is fully committed to plug-in development."

Inspector Free: free powerful analysis tool.

rtas, mac/win, vst mac/win, au

free vst plugin, pc, mac
Date
Jul 21, 2007
Contact name
Email
Link ID
18158

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Other links at Digidesign Pro Tools > plug-ins
KeyToSound designs, develops and manufacturs Digital Audio technology offering musical instruments, audio signal processors, and technology solutions to the MI market.

The company was founded in Denmark in 2003. Today, it has offices located in Denmark and the U.S. and works with many professional independent contractors world wide.

Founder, Max Groenlund, has over 15 years in synthesizer and software design and was a pioneering developer in software synthesizers in the late 1990's. His first company, Koblo, broke new ground in the development of software synthesizers with the Vibra.
Category:

2. Duy
DUY was established in 1972 as a manufacturer of audio hardware.

From 1972 to 1987 DUY designed and manufactured music synthesizers, drum
machines, audio compressors, limiters, mixing consoles, and samplers.
Two of DUY´s most outstanding developments were the world´s
first digital drum machine and one of the very first
polyphonic synthesizers (see photo).
The ALFA1024 was a hybrid synthesiser equipped
with 32 digital oscillators, 8 voices analog
processing and a 1024 notes sequencer.
The system was controlled by an on-board
Rockwell 6502 CPU with 32K of RAM. It was 1983.

IN 1986 DUY created its first recording studio.
Initially conceived for the produccion of music , it
attracted the advertising agencies and film production
companies. Advertising was a flourishing business at that
time in Barcelona ..;

All those early developments and experience have evolved into the current line of DUY´s software products, which are currently being used by producers like David Reitzas, Mutt Lange, Chris Porter, Jean-Michel Jarre, Mike Hedges, Chris Porter or Spike Stent, who record artists like Celine Dion, Madonna, The Corrs, U2, Frank Sinatra, Barbra Streisand, Robbie Williams, Texas, George Michael, and a very long list continues.
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Audio Plug-Ins - RTAS - TDM - V-Studio - McDowell Signal Processing
Category:

Welcome to Roger Nichols Digital: Plug-ins that matter: Having worked with some of the world's most successful artists over nearly four decades in the record business, and picking up seven Grammy Awards in the process, Roger Nichols knows of what he speaks. Roger Nichols Digital was formed in 2005 to make his proven hands-on experience available to all DAW users in the form plug-ins.

Roger Nichols has been designing DSP software for his personal use since 1981. These powerful devices have been used to great effect on countless albums and mastering projects with such artists as Steely Dan, Al DiMeola and Bela Fleck. "It is now time to make these plug-ins available to the ever-expanding universe of DAW-based mixing and mastering," Nichols said. "RND is fully committed to plug-in development."

Inspector Free: free powerful analysis tool.

rtas, mac/win, vst mac/win, au

free vst plugin, pc, mac
Category:

GMEDIA Music Home Page:
Virtual Instruments.

What would the intro to Pink Floyd’s 'Wish You Were Here' have sounded like without those moody string machine chords? Can anyone imagine 'Oxygene' without the swirling tones imparted by the Eminent 310 and Small Stone Phaser? Likewise, what would Lonnie Liston Smith’s 'Expansions' have sounded like without that effervescent Solina?


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