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Bob Flesher Custom Banjos
- old-time minstrel and clawhammer banjos.
banjos, custom banjos, clawhammer banjos,
old-time banjos, old time,
bluegrass, Bob Flesher, minstrel, open-back, open back,
Liberty Banjo Co.,
Chanterelle Workshop, Mike Ramsey,
Bart Reiter, Kevin Enoch,
Lo Gordon,
frailing, Round Peak, White Lady, Whyte Laydie, tubaphone, Vega, Fairbanks,
Cole,ebony tone ring, pearl inlay, wood carving, carved heel, engraving, engraved banjos,
gut strings, Fiberskin head, calfskin head,
fretless banjos, Boucher,
William Esperance Boucher, frailing scoop, Scruggs style, Appalachian music,
tigertail maple, Henry Stichter, George Wunderlich, neck,
mother of pearl, abalone, fret, fingerboard, heel,
peghead, heel carving, mastertone, Cotillion,
Grand Cotillion,
Quadrille, Plantation, banjorine, purfling, Bay State, engraving,
vintage, binding, backstrap, Kershner, no-knot, 5th string, tuner, Dwight Diller, Reed Martin, Bob Carlin, Bill Evans,
Tony Trischka, Andersonville
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Mike Smith's custom made Kateyz banjo bridges from old growth wood recovered from lake superior.
These excellent sounding bridges are hand made by me from Hard Rock Maple recovered from the bottom of Lake Superior and surrounding rivers. The acoustic properties of this wood are excellent and are now starting to be understood by Luthiers and instrument makers worldwide. The age of the wood is from approximately 300 to 1200 years old! It is possible that the wood in some of these bridges was a living tree when Christopher Columbus landed on our eastern shores in 1492! I think that's a great piece of history.
The design of this bridge, which I developed 11 years ago, makes for a very strong bridge which virtually eliminates sagging from string pressure and/or a loose head. This design transmits sound very well ...
The tone from these bridges is a clear, full rich sound that brings out all the sound that your banjo has hidden inside. Lows, Mids and Highs all will be enhanced along with Clarity and Sustain. Volume up the neck will be evident ...
The Kat Eyz pegged bridge is designed to let the string vibrations pass through the bridge without having to penetrate thru a solid glue line associated with a bridge that has a glued on cap wood. The two outside edges where the maple and ebony meet are precicely marriaged and each peg hole has a pin drop of glue. There is no glue under the string slots for the vibrations to pass through which gives the string vibrations a clear path through the bridge to the rest of the banjo pot assembly producing a clean, clear vibrant tone ...
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