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Wunder Audio
Wunder Audio
Description
Wunder Audio: We Live, sleep, dream and breath audio and the engineering that refines detail to an obsessive edge. The PEQ1 series was born when we began to ask, "If price and market were no object, what is the absolute best mic-pre/equalizer we're capable of producing?" What we came up with is probable overkill for 98 percent of the engineers in the world, but if you are part of the small demanding group of people that are as passionate and curious about pursuing the ridiculous best as we are, have we got the gear for you.

The Wunder Audio CM7 Microphone:

The Wunder Audio CM7 uses an original M7 capsule. You can can choose a 40-50 year old M7 capsule that is newly re-skinned to original spec. There is a choice of PVC or 4-6 micron Mylar substrate, thinner diaphragms are also available. Another option is an old M7 with its original diaphragm. This is, however, not recommended as the 50 year old PVC has hardened and would not sound as it did when it left the factory. But with that said, we have matched the sound of one customers old completely stock "Large badge" U47 from 1950. We can also offer new or re-skinned KK47 capsules.

The transformer is made in the US by an ex-Telefunken Germany employee who has the original plans and tooling for the U47 transformer. He uses a higher nickel content to achieve a better low end. The microphone rolls off at 22 Hz instead of the 30-40 Hz of an original U47. We can also install the early larger style U47 transformer that was used in the now legendary "Large Badged" U47's. These first couple of hundred U47's are very sought after sonically.

The problem with a vintage U47 is that the old transformer wire used PVC insulation. This insulation cracks over the years and depending on where, you can loose high or low frequency response. If the mic was stored in high humidity the PVC would of lifted up, bubbled, then cracked while drying out. If the mic were stored too dry the wire would simply have cracked ...
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Date
Aug 8, 2005
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Link ID
9534

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Professional reinforcement loudspeaker systems featuring exceptional efficiency and clarity
for the professional concert touring, rental and installation contractor markets.
During the early eighties a small group of Belgian Audio Professionals aligned themselves with respected mathematician and locally renowned Audio system designer Mr. Marcel Put, to develop a loudspeaker that would sound totally natural whenever loud music was desired or needed. From a modest laboratory and test facility, located in his native town of Lummen in Belgian Limburg, Mr. Put embarked on an extensive research project with the objective of finding a solution to the excessive levels of distortion typically experienced from listening to medium and medium/high frequency spectrums produced by loudspeaker system used for live sound touring purposes at the time.

As a result of burning lots of proverbial “midnight oil” Mr.Put recognized that it was not possible to offer a solution to this problem within the confinements of the commonly practiced way of utilizing horn loaded compression drivers to reproduce medium and high frequencies. The core of the problem was found in that at high SPL levels these horn loaded electro-magnetic transducers deliver as much as 25 to 50% unwanted but very audible and annoying harmonic distortion. Another approach was called for ...




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THE headphone company.ultrasone, headphones, headsets, hfi, dj, s-logic, proline, dj-headphones
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Shenzhen interfast enterpise co. ltd.
Our corporation has been engaged in manufacturing, researching and selling of professional acoustic products and musical instruments since it was founded. After the long-term continuously renewing, we have got the products lines of tens of series of several kinds including loudspeakers, mixers, processors,amplifiers,microphones, guitars, drums, etc.
Our corporation has been engaged in manufacturing, researching and selling of professional acoustic products and musical instruments since it was founded. After the long-term continuously renewing, we have got the products lines of tens of series of several kinds including loudspeakers, mixers, processors,amplifiers,microphones, guitars, drums, etc.

Our factories have an integrated quality controlling systems and abundant technical resources, are equipped with advanced audio testing apparatus and testing methods. The designers with rich experience and superior artistic accomplishment would make sure that every style is developed according to strict quality criteria.
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Das SYMPHOTEC® Microphone System wurde entwickelt zur besseren akustischen Aufnahme und Wiedergabe von klassischen Orchestern.

Seit einigen Jahren ist ein Trend ersichtlich, vermehrt große Opern- und Orchesteraufführungen in den Sommermonaten auf Freilichtbühnen und Open Airs zu veranstalten. Auch unter akustisch ungünstigen Bedingungen erwartet der Zuhörer ein Klangereignis, das einer Aufführung in einem Konzertsaal nahe kommen sollte. Um diesem Anspruch gerecht zu werden, fügten wir unser Wissen und unsere Erfahrungswerte in die Entwicklung von SYMPHOTEC®.



Schema zur Verwendung von SYMPHOTEC® Der wesentliche Unterschied zu herkömmlichen Aufnahmeverfahren liegt in der konsequenten Systemeinheit von SYMPHOTEC®.

Während die klassische Aufnahmemethode mit Stereomikrofon und Stützmikrofonen arbeit (was in der Regel für reine Aufnahmen auch zum gewünschten Ergebnis führt) ist eine Verstärkung mittels Lautsprechern nur bedingt oder eingeschränkt möglich.

Um ein Symphonie Orchester im Rahmen einer Open Air Aufführung zu verstärken, bedarf es einer Vielzahl von Mikrofonen, die in die jeweiligen Instrumentengruppen platziert werden, um eine voluminöse Klangfülle zu erhalten.
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Community Professional Loudspeakers has been a leading supplier of professional sound systems since 1968. Headquartered in Chester, Pennsylvania, Community distributes its products worldwide in over fifty countries.

In the mid 1960s music was on the move. The growing "rock revolution," and the need to bring its explosion of new musical styles and messages to audiences around the world, demanded an evolution in the technology of touring sound: lightweight, mobile systems able to reproduce the depth and complexity of the music with absolute impact and clarity. Communication had become the critical factor in live sound.



Bruce Howze, a creatively inclined loudspeaker designer working in Pennsylvania with influential bands such as Jefferson Airplane, was keenly aware that 2-way sound systems based on equipment from movie theaters were no longer viable. These had unacceptable limitations in coverage, clarity, and portability, largely due to their massive size, weight, and the lack of midrange output of their loudspeakers, a result of their limited 2-way design ...





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