After being expelled from School at the age of 16 for being overly rebellious, Vivian Campbell joined a band called Sweet Savage. He played with them until 1982, when he successfully auditioned for Dio. After expressing differences with some of the other members of Dio, Campbell moved on to form Trinity. This band never really got off the ground, but resulted in his touring with Whitesnake in latter 1987. This, unfortunately, never resulted in any recorded material. Vivian joined the Riverdogs in the late 80's, and enjoyed some success with their self-titled album. In the early 90's, he moved on to Shadow King. In 1992, after the unfortunate demise of Steve Clark, Campbell joined Def Leppard.
Down on 5th:
Joe Larson - banjo
From soulful melodic banjo playing to hard driving three finger jump style rolls, Joe Larson leaves no string or fret untouched on the banjo ...
Kelsie Westfall - Acoustic Bass
Playing acoustic bass in a bluegrass band has been the up front thought for Kelsie for sometime and D.O.5. has opened that door for him to play the BIG strings. Kelsie provides the big string driving sound and back up vocals for the D.O.5. Band and endorses Labella Bass Strings
Marke Richardson - Guitar
Singer, songwriter Marke Richardson helps make up the D.O.5. sound and brings it front and center. Marke takes on the job of playing guitar for D.O.5. and is endorsed by Elixir Strings.
Dennis Haycraft - Mandolin
When it comes to singing and playing on the mandolin, D.O.5. no doubt found the guy that can make it happen. Playing and singing just about all styles of music, Dennis Haycraft can take the mandolin and make it into a deadly weapon with his ability to fire down with solid mandolin chops to rapid fire picking on songs running warp speed.
Even at warp speed playing, all is under control with pick close at hand.
“American music, Texas style.”
That’s Clarence “Gatemouth” Brown’s four-word description of his freewheeling musical philosophy (it’s also the title of his 1999 album). A living monument to the melting pot of American regional styles, he’s been dishing up his personal gumbo of blues, R&B, country, swing, bebop and Cajun for more than half a century. Born into a musical family in Vinton, Louisiana and raised in Orange, Texas, close to the Gulf Coast, “Gate,” as he’s known to friends and fans, has been a headliner for most of his 80 years.
Along the way, he’s kept audiences rocking, swinging and two-stepping all over the world, from his early days on the Southern “chittlin’ circuit” to concert halls, international blues festivals and network TV. A multi-instrumentalist, he fields a daunting arsenal of guitar, fiddle, mandolin, viola – just about anything with strings – as well as harmonica and drums.
He started as a drummer, but launched his career as a guitarist in 1947, when he picked up ailing headliner T-Bone Walker’s guitar at Houston’s Peacock Club and proceeded to tear the place apart, earning $600 in tips, quite a haul in 1947 dollars.
As luck would have it, the Peacock was owned by Don Robey, a gangster/entrepreneur who signed young Gatemouth to his new Peacock label and put him on the road fronting a big band.
Though he started as a T-Bone disciple, times were changing and Gate soon cut his own path, his edgier, more urgent blues attack contrasting with Walker’s mellow, jazzy approach ...
Jay Graydon Official Web Site:
ay Graydon may not be known to each and everyone, but to all lovers of quality music he is known as one of the greatest guitar players and songwriters of all time in music history. Together with super producer/songwriter and long time pal David Foster he is also known to die-hard fans in Europe and Asia as the co-founder of "Westcoast Music". This music genre has its roots in the late 70s, and is also labeled Adult Contemporary Pop Music or AOR for short.
Between the late 60s and the late 70s Jay played on practically every "A" list session in Los Angeles, acquiring a glowing reputation as an ace studio guitarist/ solo specialist on numerous albums with Barbara Streisand, Dolly Parton, Diana Ross, The Jackson Five, Cheap Trick, Christopher Cross, Ray Charles, Cher, Joe Cocker, Marvin Gaye, Hall & Oates, Olivia Newton-John, and Albert King just to name a few. It is almost easier to enumerate those artists he hasn't played with or produced or written songs for, than those artists whose career he has participated in ...
Described as "THE acoustic guitarist of his generation" by America's Acoustic Guitar Magazine, Martin Taylor has established a unique career as an internationally acclaimed guitarist, and his inimitable style has seen him recognised as the world's foremost exponent of solo jazz guitar playing.
Although completely self taught, he has enjoyed a musical career spanning over 30 years, dazzling audiences with his solo shows, which combine virtuosity, emotion and humour, with a strong stage presence.
He spends much of the year travelling the world, playing in concert halls in Europe, North America, Japan, Asia, and Australasia.
As well as his solo concerts and recordings, he has also collaborated with musicians from many different musical genre including, Stephane Grappelli, Chet Atkins, Bill Wyman, Dionne Warwick, Sacha Distel, and Bryn Terfel ...
An accomplished jazz, pop, funk, gospel, fingerstyle, and contemporary Christian guitarist, Mark is noted for his soaring and melodic electric leads similar to Larry Carlton; his smooth, jazzy, nylon guitar stylings like those of artists Jonathan Butler and Peter White; and his smooth/jazzy/funky rhythm playing inspired by studio giant Paul Jackson, jr. (Paul Jackson, Jr. is guitarist for BeBe & CeCe Winans, Whitney Houston, Luther Vandros, Anita Baker, and many more).